Showing posts with label "Philippe Daverio". Show all posts
Showing posts with label "Philippe Daverio". Show all posts

Monday, 29 August 2016

Re-discovering Via Appia

Via Appia is the Roman road which links Roma caput mundi with Brindisi door to the Orient.










Built up between 4th and 3rd century BC, via Appia went down in history as regina viarum.

The extension of via Appia came along with the Roman military expansion. 

533 kilometres long, the road is covered of smooth volcanic stones (basoli). Cambered in the middle to let the water run off, it was built with ditches on both sides, protected by retaining walls.  



The map shows Via Appia (white), which main places were Capua, Beneventum, Silvium (Gravina in Puglia) and Tarentum



A couple of months ago, Feltrinelli has published Appia by Paolo Rumiz. 

This book is the result of a long walk undertaken by Paolo Rumiz and his companions (Riccardo, Alessandro and Irene) who have covered via Appia on foot.

Italy has an immense cultural and archaeological heritage, it's so huge that the Italian institutions seem not always able to preserve it.

As result of this, Philippe Daverio has urged the world to get involved in assisting Italy to save its immense cultural heritage.

Indeed, he has promoted years ago the project Save Italy, stating that the Italian cultural heritage belongs to the whole western world, not just to Italy.

According to enhancemyvocabulary.com, 60% of English words have Latin roots.

As occurred to via Appia, Italy has deliberately sold off its cultural heritage to private interests, linked mainly to property investment.

Antonio Cederna was the first to defend via Appia against politicians, speculators, architects and functionaries implicated in the via Appia plunder.




On 8th Septemebre 1953, Il Mondo published the Antonio Cederna's j'accuse "Via Appia should have been religiously saved because for centuries talented men from all around the world have loved, described, painted, sung it […] Via Appia should have been saved like the Acropolis of Athens".

On 25 August 2016, Masseria Jesce (Altamura), a fantastic masseria which was once a roadhouse of via Appia, has hosted Paolo Rumiz and the filmmaker Alessandro Scillitani to discuss about their trip discovering and mapping Via Appia.




"A journey like this, made on foot, gives you the feeling that the space turns expanded, deep". Paolo Rumiz begins.



"By living a sedentary life, we do not cultivate the skill of reading the body language of people we encounter. Talking about this journey, when we came across the locals, they first looked at us suspiciously, then turned calmed, finally they became interested in what we were doing". He continues. 



"The best moment to undertake a long walk is when your head and hearth is full, when you have had enough" In other words, walking is therapeutical, and I fully agree with Paolo Rumiz.

He says "During a meeting in Matera, someone said that this journey had a strong political implication, in the sense that it shifts the barycenter to the South of Italy". 

"Via Appia is unique. It makes sense to walk from Rome to Brindisi and vice versa. In other words, the Roman legions came down to Brindisi as well as in the Middle-age the crusades walked along via Appia to reach Brindisi and departing for the Holy land. On the other hand, Catholicism arrived in Rome from the South."

"We have met so many peasants. It was great to talk with them. I remember one of them in Gravina in Puglia. He thought we were grave robbers. "Here the soil conceals so many graves ascribable to Silvium times" he justified himself". Paolo says.

"The South requires a new narration, free of stereotypes. It must be done also because of the current historical and geopolitical situation". 







Alessandro has made a documentary from this journey.









"It took us 30 days to cover via Appia. I was struck by the sound of dialects, by random encounters, by the beauty of the landscape. I have filmed the communities we came across" Alessandro says. 

The talk goes on till midnight.

Outside is dark, and a fresh air grabs our senses.

We are invited to visit the crypt of masseria Jesce, adorned by frescos which echo the Byzantine ones.

In this awesome scenario, a musician duo is going to play music to entertain the audience.

They are Massimiliano Di Carlo&Veronika Otto, respectively from Ascoli Piceno and Berlin.




Their mission is discovering songs from old people and propose them to their audience.

Massimiliano begins singing a Mongolian song, made by just one note. It's an ancestral sound.

Then, they offer us a fantastic tammurriata, explaining us its cultural roots. Just to clarify, tammurriata is the Neapolitan version of  tarantella, "a sound brought by ancient Greeks in the south of Italy. It spread till Ancona, though" Massimiliano points out.

Finally, the duo offer us a typical song called Saltarello, a kind of tarantella typical of center Italy.

After their fantastic performance, I get closer to Massimiliano and ask his name "you know, I write a blog and I'd like to mention you guys because you really do a great job".

While talking with Massimiliano, Paolo Rumiz gets closer and listen to us.

"Of course, I will write about Paolo Rumiz and his great book either" I say.

Paolo Rumiz replays "Well, Massimiliano needs to be reported more than me".

I answer: "Well, I need it too".

Both of them burst laughing. I laugh too.

It's 1 o'clock. Outside it's getting cold but the fire burns inside me.

Tonight I have had great time and learned a lot.

   



Tuesday, 26 April 2016

Altamura, "Federicus" and Philippe Daverio

On 23rd, 24th and 25th April, Altamura hosts the 5th edition of "Federicus", a Medieval festival dedicated to Frederick II the Swabian.






So, Altamura pays tribute to the king who actually has rebuilt the town, as reported in the banner of the municipality (Federicus me reparavit).






In my opinion, the main goal scored through this festival is having the community more aware of her own roots.

Rediscovering our roots make us more aware of our identity. 

Identity is an awkward topic, in a globalized world, with millions of human beings leaving their own country to move either to Europe or America.

The leit motif of the ongoing festival is superstition.

Therefore, a panel of eminent guests were invited on 20th April to debate about it at the Mercadante theater: Rosanna Galantucci, Giacinto Forte, Francesca Ferrulli, Philippe Daverio, Alessandro Amapani and Fabrizio Vona.
















Among them, there is Philippe Daverio (pictured), very popular in Italy thanks to his personal way to communicate art: smart and never pedantic. 



Additionally, he has presented for years passepartout, a successful television program broadcasted by RAI.

Once on stage, Philippe, surrounded by flags red and white, colours which symbolize the Municipality of Altamura, turn to the Mayor and ask him: "what do red and white mean? Do they represent the compromesso storico?"

Coming back to Frederick II, Philippe Daverio says "according to Le Goff, in the 13th century, beside the two powers represented by army and church, a third category called scriptorium (intellectuals) took place in France and quickly spread all around Europe".












"This represents a turning point which Frederick II acknowledges immediately, and applies it to his own kingdom". 

He continues "However, if the South of Italy has remained stuck to agriculture, instead of developing towards the rising capitalism, that's the Swabian's fault".




He says "I wish to mention a brilliant book, Uncommon sense. According to the author, in the past there were two figures, prophets and philosophers. Ancient Greece has given the birth to philosophers, whom thinking has forged the European culture".




"During the Middle Age, Arabics were forward-thinking. Indeed, among them superstition was forbidden, whereas science and philosophy were incentivated. Just to make an example, zero was introduced to Europe by the Arabics." Philippe adds.

He says "Finally, when Frederick II realizes that his ascendence may not be enough to rule over the Arabics of Sicily, then he persecute them, either killing or deporting them to Lucera, in Apulia".

The conference goes on for a couple of hours.

I quit the theater with so many causes for reflection.

The festival reaches its climax on the 24th, though.

The locals feels very much responsible for the positive outcome of the historical reenactment.

The atmosphere is sparkling: musicians, jugglers, walkers-on, twirlers. 

There is everything which tourists may look for.















Finally, I strongly recommend you to experience Federicus next year.


Ps.
Click here, should you wish to view more pics



Sunday, 23 November 2014

Basilica di Santa Caterina di Alessandria

Yesterday, on Saturday evening, I went to Galatina to see the Basilica of Santa Caterina di Alessandria.











This Basilica is a pure artistic jewel set in hearth of Salento.

To describe the immense beauty of this church, the local Municipality has invited Philippe Daverio, an acclaimed art critic.

Philippe Daverio has become famous since his TV format called Passepartout, in which he travels around Italy and the world talking about art.


Philippe Daverio was invited yesterday to hold a lectio magistralis.

The art critic spoke yesterday in a crowded church.

Actually, I have listened to him outside the church with 200 more people. Fortunately, loud speakers had been set.

"We care for our cultural heritage much more than we did 30 years ago" Philippe started off.

"This Romanic-Gothic church has unique frescos. Artists from the north of Italy, mainly from Tuscany have come to Galatina to fresco the French illuminated manuscripts." 



"Some of those artists were inspired by the Giotto's principles, then applied to the Basilica di Santa Caterina d'Alessandria".






In terms of vastness of Middle-Age frescos, the Basilica di Santa Caterina is second just to the
Basilica di San Francesco d'Assisi








The Basilica was commissioned by Raimondo Orsini del Balzo, after having returned from one of his several crusades.

The church has been built up at the end of the 13th century, on a preexisting Byzantine church.




Raimondo Orsini Del Balzo supported the Angevins (French), who ruled the Vatican and the South of Italy.

Philippe Daverio said yesterday: "Europe should be more aware of the importance played by Italy within the Mediterranean scenario. The Basilica di Galatina is just suggesting us that the European foreign policy should be modified."

In other words, Apulia as well as the rest of the Bel paese, has since forever been in touch with the North Africa and the middle East.

Therefore, please let's be aware once for all, that the Apulian cultural heritage belongs not just to Italy, but to the entire world.

By the way, the etymology of Galatina comes from the Greek gala-galactos, which means "milk". This etymology probably originated from the local milk and cheese production. 

I have ended up my Saturday night in Galatina coming accross an old friend of mine, Gianni, and his wife.

Good art to everyone
Ciao


PS.
Should you wish to view more pics, please click here