Sunday, 16 August 2015

Danza dei coltelli, Torrepaduli and San Rocco

 The night of the 15th August in Torrepaduli, around the sanctuary of San Rocco, people dance a unique kind of pizzica, the so-called “pizzica scherma”.



The dance carries on all the night long till the sunrise of the new day.

I had never seen it before.

In addition, Erika, my sister, fond of folk dance, strongly wished to go there.




How I could let her down?

Therefore, we leave at 8.30 pm of the 15th (Ferragosto) in order to be there at around 10 pm.

Torrepaduli is a small village within the Municipality of Ruffano, around 60 km south of Lecce. 

Once arrived, we find a small area where to park the car.

We walk 10 minutes before reaching the main plaza.

Bright colourful lights enrich the atmosphere.














A band plays music with no interruption.

I’m so surprised when I hear the band playing Rino Gaetano, a very popular singer who died around 30 years ago.

When he was alive, he was famous, but not at all trendy as he is today.

The phenomenon of not appreciating properly its best sons when alive, happens quite often in Italy.

It seems that the country has to digest and assimilate them before paying the tribute that they deserve.





So after a break in the main plaza, we walk towards the sanctuary of San Rocco.







I see so many families outdoor, sat on their chairs, talking each other.

Sometime, they take a glance at foreigners who seem having taken their village just for one night, though.

As documented by Ermanno Inguscio with his book “La pizzica scherma di Torrepaduli. San Rocco: la festa, il mito, il Santuario” (Lupo Editore, 2007), few Francescani in the Middle-Age have built up the chapel dedicated to San Rocco.


San Rocco was born and raised in Montpelier (France).

He belonged to the rich bourgeoisie.

Like San Francesco, he divests of everything he owns to become pilgrim.

San Rocco has always been considered a miracolous Saint.

Ever since people has moved to the sanctuary of Torrepaduli to ask San Rocco help and recovery.

Under such circumstances, pizzica scherma practised mainly by gypsy men (Rom), became metaphor of fight between good vs evil.


Yesterday, Erika was expecting to catch up with some friends of her coming from Fermo (Marche).


Pizzica and tarantella is quickly spreading over the rest of the country.

















Erika and I have danced, of course.

Dancing pizzica make you feeling relieved. It’s incredible how therapeutic it is.

It’s 3.30 in the morning.

I begin to yawn.

“Erika, would you mind if we go home? I’ve gotta tired”

“Yeah sure bro. let’s go home” she replies.

I love my sister.

After having driven for 1 hour, we arrive at home at 5 am.

Erika and I exchange a quick “good night”.

After a bunch of seconds I start snoring.

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